Of Montreal’s thecontrollersphere EP is awash in eclectric morbitdity and whimsical oddity. Is it too weird for its own good?
Mike Skinner releases his final album under The Streets moniker with Computers and Blues. Is it a fond farewell or a good riddnace?
Sharon Jones deferred her musical dreams when real life came calling. Now she reigns as the Queen of Funk. Check her story.
Iron & Wine’s latest release Kiss Each Other Clean is evidence of Sam Beam’s musical expansion. Does he end up out of bounds?
Lia Ices takes her listeners down a fantasy voyage through high notes and soft music on the Grown Unkown
Asobi Seksu crafts an inventive sonic landscape on their latest release Fluorescence. Too bad you can’t hear what they’re singing.
Smith Westerns deliver a pleasant ode to the classic Beatles aesthetic that wavers between homage and imitation with new album Dye It Blonde. How good is it? Read on!
Natasha Bedingfield’s latest album features her electric voice over music from myriad sub-genres of Pop music. Should they have left her vocals naked?
Underground technophiles Depressed Buttons release a teaser mixtape, Mixmeat, as a lead in to their December 14th EP Qwerty. In their world, Bob Dylan sits comfortably with Boy 8-Bit and Baltimore Club Music. How do those elements fit in yours?
New apps and websites like ihollaback.org combine with camera phones to give an outlet for women who are being harassed by cat callers and more sinister perverts. We discuss.