Chef Raekwon takes us back to the movies with the cinematic Shaolin Vs. Wu-Tang. Is it Oscar worthy?
Marsha Ambrosius takes the wheel on her debut solo album Late Nights & Early Days producing and writing the bulk of the record. Was it worth the wait?
Reks returns in the 25th hour with his self titled third album. Does he bring boom bap to the front of the line or just take a long step backwards?
Mike Skinner releases his final album under The Streets moniker with Computers and Blues. Is it a fond farewell or a good riddnace?
With The Greatest Story Never Told, Saigon brings conscious rap into the 21st century with a keen eye toward those living the real life.
Australian band Cut Copy’s Zonoscope sneaks in a bit of though provoking lyricism to their brand of Electro Pop.
Theophilus London is about to unveil his first major retail release. Is Lovers Holiday worthy of all the hype?
“Life Doesn’t Frighten Me” is a strong album with beats and rhymes that actually stand for something. Malcolm & Martin deliver strong rhymes and better messages without being preachy or weak.
Iron & Wine’s latest release Kiss Each Other Clean is evidence of Sam Beam’s musical expansion. Does he end up out of bounds?
Adele kicks the sophomore slump in the ass with one of the better releases so far this year, 21. Yes, I know it’s January.